Working to the "sight-size" method means drawing the exact same scale and proportions as the object displayed.
I have been taught this approach by the Academy of Art of Florence. It helps me to achieve accurate proportions more easily, as well as to create a more exact visual impression of the subect on paper.
In the end, I draw what I see and not what I want to see.
In preparation, I can spend several hours trying to find the best position, the best light to give a more dramatic effect and to reveal the real expression of my model.
For me, times does not matter !
Arielle
Miss A.
Sunday, 16 May 2010
Friday, 14 May 2010
Getting the true expression of the individual
When doing a portrait I seek to bring out both the fragility and the intensity of the individual, to reveal the real person. Accuracy is essential! A millimetre can make all the difference between a face that is young or aged, happy or sad, nervous or at ease with himself.
I am in heaven when I manage to capture the exact proportions and reveal the real person.
But, like all amateurs, I must admit that I find difficult to recognise when I can go no further and decide that the drawing is finished
I am in heaven when I manage to capture the exact proportions and reveal the real person.
But, like all amateurs, I must admit that I find difficult to recognise when I can go no further and decide that the drawing is finished
Tuesday, 4 May 2010
subtilities of shapes and shadows
If drawing is all about putting the right information in the right place, which is far more difficult than it sounds, I struggle sometimes to find ways of training my eyes to see the information accurately.
I spend a lot of time trying to see the relationships between shapes and shadows, four or five hours minimum for each drawing.
All the time, I keep forcing myself to see more accurately the subtilities of the forms, light and dark. I spend hours moving my eyes from one point to another on the cast/model and then moving my eyes between the same points on the drawing, making sure that the relationships between the points match.
Only once I decide the proportions look right, do I start to draw by the larger shapes, followed by the smaller ones.
I must admit that, where possible, I get a third person to check my proportions before I start working on the light and shadows!
I spend a lot of time trying to see the relationships between shapes and shadows, four or five hours minimum for each drawing.
All the time, I keep forcing myself to see more accurately the subtilities of the forms, light and dark. I spend hours moving my eyes from one point to another on the cast/model and then moving my eyes between the same points on the drawing, making sure that the relationships between the points match.
Only once I decide the proportions look right, do I start to draw by the larger shapes, followed by the smaller ones.
I must admit that, where possible, I get a third person to check my proportions before I start working on the light and shadows!
Subscribe to:
Comments (Atom)
Old men
Miss L.
Cast Saint-Jean Baptiste
Philosopher
Philosopher